For inversion, turn the movement inside out, working from somewhere in the middle of the phrase, back to the beginning, or to the end. CONTRAPUNTAL FORMS I. landing: the manner and quality in which the body returns to earth following an action of elevation such as a leap, hop, or jump. Just remember that movement itself and its components can be the source of choreography. AB—a form made up of two contrasting sections, each of which may or may not be repeated. They are arranged accordingly. So, all your âBODY and SPACE puzzle piecesâ can be manipulated in terms of their timing. We use it with the intention of developing innovative movement ideas and generally as the first step in the dance composition process. alignment: body placement or posture; the relationship of the skeleton to the line of gravity and the base of support. SPACE: there are two possible different ways to think about space.eval(ez_write_tag([[300,250],'contemporary_dance_org-medrectangle-4','ezslot_2',116,'0','0'])); 1. I'll leave you more readings below in case you want to continue with your research: Forum for dance questions about ideas for choreography. COMPOSITIONAL FORMS AB 69. expression: a process of conveying ideas, feelings, and meaning through the selective use of the communicative possibilities of dance. You adapt this sequence to a rhythmical phrase of, for example, eight counts, and there you are on your wayâ¦. kinesthetic: refers to the ability of the body’s sensory organs in the muscles, tendons, and joints to respond to stimuli while dancing or viewing a dance. Just visit our forum about ideas for choreography and browse! Download and print 32 dance terms appropriate for primary students (PDF format): Terms only - Using dramatic texts, music, images or themes as the source of inspiration to generate movement is a common and valid strategy. Some, like New York 's Merce Cunningham, use computers to generate or enhance their movement ideas. Compositional Forms ABA Form. The art of making concert dance is based on the manipulation of the abstract elements of human movement: space, shape, time and energy within an emotional or non-literal context for the purpose of expressing ones unique creative voice. 859.258.7000 COMPOSITIONAL FORMS ABA 72. When talking about ideas, the more, the merrier… Read more about Dance Composition here. Now you know how to easily create choreography for one dancer. Now, to improvise this way in the search for movement, imagine that composing dance is like assembling a puzzle. 12, 13, and 14: Forward going downwards, maintaining the level or going upwards. Composition is the way that elements are arranged in a photograph. The combining of distinct parts or elements to form a whole. Sequential Forms. I hope this information is useful for you. Considering the significance of compositional forms, the number of works in this area is surprisingly meager. And when it comes to travel photography, using composition templates and techniques can help to turn a good photo — into a great photo without image quality enhancer.. We will explore the aesthetic and technical underpinnings of contemporary dance composition. Dance Suite. Look at a building. If you want to convert your basic dance into choreography for two or more dancers, continue reading. - Beat: is the basic unity and reference for measuring time. 2: Upward. Examples include. improvisation: movement that is created spontaneously, ranging from free-form to highly structured, but always with an element of chance. Youâll see how many pieces for your dance composition puzzle youâll find. One soloist/group performs, with the second soloist answering or entering in “response.”. We establish the speed of the beat according to the dance needs. Other Compositional Forms Natural structures – mostly come from natural structures such as the seasons, life cycles, and everyday life experiences. Create as many choreographic fragments as you wish, or need, and start thinking about your dramatic structure. Professional choreographers create their work on dancers in a studio setting, for performance onstage or at specific indoor or outdoor sites. levels: the vertical distance from the floor. For example, when standing, the feet are the body base; when kneeling, the knees are the body base. accent: a movement or shape performed in such a way as to give emphasis. Dance, the movement of the body in a rhythmic way, usually to music and within a given space, for the purpose of expressing an idea or emotion, releasing energy, or simply taking delight in the movement itself. Aspects of shape are open/closed, symmetrical/asymmetrical, angular/curved. Thereâs really no better method or composing strategy. COMPOSITIONAL FORMS AB • A dance with a 2-part structure • with the second part being different from the first part. TIME: time is a feature that affects both BODY and SPACE movements. 1. Making Dance The Choreographer's Toolbox Dance Composition . Jump, look, tendu, turn, etc. tension/relaxation: tense movements feel hard and tight; relaxed movements feel soft, loose, and flowing. movement theme: a complete idea in movement that is manipulated and developed within a dance. Think about leaps that start and arrive, from and to, other parts of the body. Bharatnatyam: Bharatnatyam is an Indian classical dance form having its origin in Tamil Nadu. Scenic space: it is the total architectonical space defined for the dance (the stage, the studio, the park or whatever). You know artists create freely and itâs not really appropriate to say that a dance composition method is better than another. Click here if you want to read an article about Improvisation as an independent art form on stage). canon: choreographic form that reflects the musical form of the same name, in which individuals and groups perform the same movement/phrase beginning at different times. It is instant and simultaneous choreography and performance. The term dance composition is used to describe the practice and teaching of choreography and the navigation or connection of choreographic structures.. Collage – consists of “a series of movement phrases that are often unrelated but have been brought together to create a single dance with a beginning, a middle, and an end”. How would you know? 71. Also called tenary or song form. With retrograde, a phrase is done forward, then backward (ABCDCBA). Return to Contemporary Dance … To go from one zone to another we create paths. A brief treatment of choreography follows. Resource Types: Glossary Terms, Word Wall Printouts (3). It's unique, but it's still … 1: Downward. warm-up: movements and/or movement phrases designed to raise the core body temperature and bring the mind into focus for the dance activities that follow. compositional synonyms, compositional pronunciation, compositional translation, English dictionary definition of compositional. We can create contrasts by the use of the pause. Making Dance The Choreographer's Toolbox Form & Structure . Compositional Forms. Energy can also be released in a controlled, restrained manner. These include pure, study, abstract, lyrical, dramatic, comic and dance-drama. choreographic structure: the specific compositional forms in which movement is structured to create a dance. space: includes directions, size, pathways, levels, and shapes. 27: To the center of the kinesphere (as the center of the body coincide with the center of the kinesphere, it can not move towards it; but parts of the body or its extremities can). (Dance improvisation on stage has a different purpose and is another big independent topic. We can occupy all this sectors of the scenic space (or spaces in between if you want to think about it that way). interpret: this process of responding to works of art identifies the ideas, feelings, moods, and overall meaning communicated by the work of art. A reaction to the compositional and presentation constraints of modern dance, postmodern dance hailed the use of everyday movement as valid performance art and advocated novel methods of dance composition. Laban defined 27 seven main directions towards which we can move within the kinesphere: 3, 4, and 5: To the left going downwards, maintaining the level or going upwards (some call it low level, middle level and high level). Remember that contemporary dance history considers Merce Cunningham as one of its most important figures. We can give as many lengths as we decide to one same movement and create different movement qualities. 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